i play in a neighborhood brass band and also have just taken up the trombone. I\"d favor to use my tenor trombone (in b flat) come play bass trombone parts where necessary. A most the base trombone components are in a different key. Eg: Bandology (arranged by candid Wright) has actually the 2nd Bb Trombone in the (treble) an essential of C yet the bass trombone is in the (bass) crucial of Bb. In Amparito Roca arranged by Aubrey Winter the second Bb trombone is in the an essential of Eb but the bass trombone in the key of Db. I guess the mslsec.com was written for trombone in the vital of C? so transposition for a Bb tenor trombone to play base trombone is a complete tone up? Am ns correct?


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If this is brass band mslsec.com, v Trombones 1 and 2 in treble clef, bass in bass, i hope that ALL the bass trombone components are in a different key!

Most brass band instruments are written in treble clef, as transposing tools - yes, also the basses (tubas). Bass trombone is the exception, that gets base clef in ~ concert pitch.

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If you\"re supplied to reading orchestra/wind band/commercial trombone components in bass clef, read brass band base trombone components the very same way. Created Bb is sound Bb in very first position.

Read brass band Trombone 1 and also 2 components a nine down. Written center C is Bb a nine lower.

If you know tenor clef, there\"s a dodge. \"Brass tape treble\" is the same as \"Orchestra tenor\" v two flats added to the crucial signature.


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I think you room a tiny turned roughly by the terminology. Contemporary Tenor and bass trombones room pitched in Bb yet normally are check out in C. In various other words, as soon as you watch a \"C\" written, you play a \"C\".

In brass band, over there is some level the transposition quiet performed in part parts. If you view a bass clef part it should it is in in \"C\", which means you pat a \"C\" as soon as you check out a \"C\". For the treble parts, the is more than likely in Bb, which means when you watch a \"C\", you play a \"Bb\". Keep in mind that this is completely independent of the key the the piece.

The concert key the the item is walking to it is in what it sounds like, independent of what transposed tools are part of the band. Therefore a trumpet player might have a \"C\" written, however what sound is a \"Bb\", a French horn player can have a \"C\" composed as well, but it sounds like an \"F\", for this reason on and so forth. The key signature because that the trumpet player can be no flats/no sharps (Key of C) and also the crucial signature for the hornist would be one flat (Key the F). However, because that untransposed instruments, it would be \"Bb\", ergo, the concert pitch would be \"Bb\" also though the transposed instruments can be seeing a different key signature.

In this case, The Amparito is most likely in the \"concert key\" that Eb. The second trombone part sounds choose it is written untransposed, ergo a created \"Eb\" sounds favor an \"Eb\". The bass trombone part sounds favor it is transposed for trombone in Bb, i m sorry makes whatever down a totality step as you indicated. Therefore a written \"C\" is walking to be a \"Bb\" for that part.

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In your an initial example, Bandology, that sounds like the 2nd trombone is in transposed \"Bb\" (so when you check out a \"C\" friend play a \"Bb\") and also the base trombone component is untransposed (when you see a \"C\" friend play a \"C\").